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Walking down Oxford Street, I piped up -

Do you know what you’re going to do for the rest of your life?

[one of the best displays of spontaneous laughter I've heard in a while]

No, really. Things aren’t as linear as they used to be. You can get married and have a career at twenty, and then become a starving artist and a hippie at thirty or forty. Nothing is necessarily consistent.

Is this about me, or are you asking in general? [pause] I think I’d like to keep doing what I’m doing, while also pursuing an artistic outlet.

Same here! Which is why I’m so freaked about what happened today. It was such a little thing, but I can’t stop worrying about it. I feel as though I’ve ruined any chance I had with these people. It feels silly always worrying about little things.

I sort of envy that. I have a tendency to worry about the ‘big things’.

Like, world hunger?

No, bigger than that.

[skeptical look]

I was reading an article about the multiverse, the idea that there are an infinite number of possible worlds, all occurring simultaneously. And this is a proper scientific theory. I remember sitting at my desk and not really doing any work, just thinking about this for half an hour.

Well, that can be comforting. No matter what choice you make, other possible choices you could have made are happening elsewhere. So it doesn’t really matter what you do.

Comforting? Maybe. Also pretty overwhelming. And potentially frightening.

[and then suddenly the pavement grew scales like a giant dragon's tail and began to hiss with steam through the cracks in the cement turning soft and forest green, lifting us up and whipping us between buildings like a table tennis ball almost consistently in flight; the impact cracked our backs, relieved all tension, and lifted us higher until suddenly gravity wasn't a concern; wrapped tight with snakeskin, punctured with lamp post spikes, we floated over the city of pulsating stained glass shafts and inhaled the spiced texture of dusk]

For several years now I have wanted to be a theatre director. And when I arrived in London, eager to make a new start, I decided it was finally time to do something about it.

I do have some experience in directing: I directed and self-produced a relatively large-scale piece for the Ottawa Fringe Festival in 2006; I have directed scenes and short plays in French and English for high school and university classes; and I’ve done a bit of theatre coaching for auditions. But, really, my directing CV is middling compared with some people my age (and younger). I suppose my only real excuse is that I got caught up in arts promotion, which I also love, and allowed myself to be somewhat typecast in the role, thereby inherently preventing myself from pursuing without hesitation my other real passion.

One of my first friends in London told me not to make excuses. She said: tell people you’re a director, full stop. Tell them you’ve come to London to be a director. And then they will take you seriously.

So I did. I put the word ‘Director’ on my business cards. I created a personal website showcasing my theatre credentials. I attended directing workshops and lectures. I even managed to get myself an interview for an Assistant Director position with a rather prominent London theatre — and it was a disaster. Because I was nervous. But I learned a lot from the experience.

And then I met Andy McQuade, Artistic Director of Second Skin Theatre, and now I’m working as Assistant Director on his production of La Chunga by Mario Vargas Llosa. It opens on Tuesday at the Phoenix Artist Club (West End, yo!), and the playwright – a Nobel Prize Laureate – will be there. I’m beyond excited. It’s a beautiful play set in 1950s Peru, perfectly cast, and I think this production is going to be phenomenal. I am very proud to be involved with this show.

So if you’re in London, see you there! xo

La Chunga

daily yoga and exercise, practice french and spanish, improve posture, seek out and create directing opportunities, become an exemplary employee, read more novels and poetry books, engage in healthy relationships with good people, distance myself from not-so-good people, wake up early, see lots of theatre, make my own videos, learn to play Mozart arias on the flute, smile, write blog entries and short stories and poems and love letters more frequently, play the tourist in my own city, join more theatre websites, play show tunes and upbeat music in the morning, always wear a helmet while riding my bicycle, volunteer with children in schools, visit other cities in Europe, cook healthy and more diverse meals for myself, trust myself

earlier today I wrote a list of positive things that happened this year

there were 30 things on that list, and it didn’t take me very long to think of them

and that’s saying something; I may come away with better memories than I expected!

photo by pkohler

Regent's Park

I went in search of a theatre and found a park instead.

There’s nothing original about finding solace in nature. In fact, I’d always been annoyed at Canadian poets for doing so: yes, yes, trees and rivers are beautiful, but why should I have to read about them endlessly for my Canadian literature classes? Archibald Lampman, I may have visited your grave in the Beechwood cemetery, but we were never close: I remember complaining about the subtle mosaic you supposedly suggested in your sonnet; I remember losing points on my midterm because I didn’t recognize your obscure references.

And yet I thought of you while wandering through the Walthamstow marshes. I thought of you in Regent’s Park and Hyde Park and St. James’, amid the tourists and the dog walkers and the photographers and the families of four. Maybe you could have guided me down their paths and pointed out the string of metaphors that I somehow missed while reading your poetry. My response to nature is so naive, so common, so inhale deeply and exhale soundly, so look up at the clouds and find shapes between the blinking flecks of sun.

I always seem to find myself in a park when I have somewhere else to be. Keep checking my watch, making sure I have enough time to find the tube, catch the tube elsewhere, in time for work or a meeting. And this could be easily avoided: I spend my mornings moving slowly, staring at computer screens, perhaps enacting a lazy yoga routine, setting aside moments for a quick breakfast, reading a few pages of that novel I intend to finish. And I tell myself often, today I will go out early, because I always feel better when I go out, and I will give myself lots of time. Because I never feel like there’s enough time.

I think about time the way some people think about money. Obsessively. I used to be the most punctual person I know. But since the ever-increasing popularity of mobile phones (text: be there in 5 mins) and my relative proximity to places of interest (quick bike ride to the university means no need to worry about bus schedules), being exactly on time seems to have become a secondary consideration. Which doesn’t mean I don’t feel horribly guilty every time I’m a few minutes late, or have to rearrange plans, or cancel them altogether. But this isn’t even about that.

The problem, I think, is having unassigned time. While I was writing my thesis, I would wake up in the morning recognizing that I had twelve hours ahead of me to ‘get work done’. For some, that may be an inspiring realization; for me, it was daunting. Sometimes I organize my day thusly: 1 hour read, 1 hour write, 2 hours read, 2 hours write, 1 hour lunch, 1 hour read, 1 hour write… until the end of time. During high school and my undergrad, the time specifications were a little more, well, specific. I could divide up my time into subjects, into projects, into articles that needed to be annotated for the next morning. There were deadlines, and I found those very helpful.

(On a related note, I’ve heard of high schools implementing ‘due dates’ and ‘dead dates’, the former is the date at which the assignment should be handed in, and the latter is the point at which you can start losing marks for handing in your assignment at a later date. Thank you, education system, for confusing your pupils and helping them to develop terrible habits.)

Now, if I waste several hours watching sitcom episodes on the internet, no one will know but me. If I’m not spending every spare moment educating myself, reading, writing, exercising, practicing the flute, learning to cook, composing thank you cards, bettering the world in small but meaningful ways, who will take note except me? I need a reason for rising, I wrote once. I feel like I’m going off topic again. What was it I wanted to say?

Everyone has different ways of relaxing. My father listens to classical music and reads books; sometimes he paints. My mother quilts and works on puzzles with 1000 pieces; devours novels in bed. Some of my friends play video games or watch television. Others take naps. Still others go for a jog, go swimming, meditate, write a poem, smoke a cigarette (or what have you), pluck strings on a guitar methodically. Some do nothing at all (whatever that means).

Sometimes I go for walks in parks. I daydream about locking eyes with someone, smiling, starting an awkward conversation, falling in love. I imagine walking with someone else, not alone. I think about what else I could be doing, wondering if I should check my phone, go back home and check for messages. I compose status updates in my head that I will replicate when I return to a computer: Enjoyed walking in the park today. Rested in the branches of a beautiful tree. So peaceful. While content-wise this is an accurate account of my afternoon, my tranquil satisfied tone is a tad misleading. And yet, I will say this: that even though my scattered thoughts have a tendency to run awry like confused adolescents, thereby unable to prevent my mind from buzzing without respite, once in a while a cobblestone pathway that leads through a bushel of trees to a hidden brook arrests my breath for a single significant moment. And that, in itself, is enough.

You say

You are pretty, which means

You never have to prove yourself

Not like us

You are a corpse merely

Of perfect hair and high cheek bones

Void of stretch marks

Void of alternate endings

People need not imagine beauty in you

It is already there

You could be a salesperson

Simply by modeling the merchandise

Knowing how to package your product

You

You are pretty, which means

You don’t need to try like us

No one needs to fall in love with your personality

You are enough to fill the spaces

Your personality may have missed

Your intelligence is redundant

Your witticisms are superfluous

You are all you ever need to be

You, your body

Yourself

You

London performances

Just a quick list of performances I’ve caught in London so far. And I’ve already booked several more for the new year. Especially looking forward to attending The Globe Theatre’s Spring festival that will feature every single play attributed to William Shakespeare, each produced in a different country and performed in a different language. 

The Golden Dragon by Roland Schimmelpfennig | dir. Ramin Gray | ATC Theatre | The Arcola Theatre | Monday, September 19th

Saved by Edward Bond | dir. Sean Holmes | Lyric Theatre | Wednesday, October 12th

The Veil by Conor McPherson, dir. | The National Theatre | Friday, October 28th

The Playboy of the Western World by J. M. Synge | dir. John Crowley | The Old Vic | Wednesday, November 9th

Yerma by Federico Garcia Lorca| adpt. Anthony Weigh | dir. Natalie Abrahami | The Gate Theatre | Wednesday, November 16th

Poe: Macabre Resurrections | dir. Andy McQuade & company | Second Skin Theatre | St. Mary’s Church | Friday, November 18th

Piaf by Pam Gems | All Star Productions | Ye Olde Rose and Crown Theatre | Wednesday, November 23rd

Reasons to be Pretty by Neil Labute | dir. Michael Attenborough | Almeida Theatre | Saturday, November 26th

Hamlet by William Shakespeare | adpt. (German) Marius von Mayenburg | dir. Thomas Ostermeier | The Barbican | Sunday, December 4th

Juno and the Paycock | The National Theatre | Friday, December 16th

Sidesteps

Apologies for the serious lack of updates. There are occasional sidesteps to recovery, which occasionally include a crippling fear of failure whenever I sit down to write a blog entry. And believe me, I’ve had enough fodder for several. But there’s a time and place for everything, and sometimes it’s best to keep personal thoughts confined to diary entries found in private word documents, stored in hidden folders generously titled ‘Poetry’ and similar.

I’ve been thinking a lot about community, and how easy it is to feel like you can’t go back once you’ve left, or feel you’ve been forced to leave. And talking about this is incredibly difficult without naming names or pointing fingers or taking advantage of a public medium to expose hypocrisy, even if it is accurate and true.

I think I just needed to write this to get myself back on track. You’ll hear more about London and related awesomeness as soon as I can find joy in writing again.

A couple of weeks ago, journalist Mike Levin asked me to write an article about the London theatre scene and how it compares with Ottawa’s local arts scene. It is now published on his wonderful website/blog UnFolding. Enjoy!

So what brings you to London? asked the Managing Director.

I love theatre, I replied. And I’ve been consistently impressed with the theatre here.

You’ll realize a lot of it’s shit when you’ve been here long enough, he countered.

I was feeling discouraged. I had been in London for two months and already I had been formally turned down for two jobs in theatre: one for which I was overqualified and one for which I was perhaps under-qualified. Maybe it’s because I sound hopelessly naïve in my interviews.

London is a tough egg to crack. It’s large. It’s intimidating. And, as reputed, it is royally classist.

Accordingly to one actress freshly out of theatre school, it matters a great deal where you were trained. It matters who your agent is, which directors you’ve worked with and in what venues you’ve produced your shows. Some arts bars are acceptable; others aren’t. And you’d better not think of putting the unacceptable ones on your CV.

Continue reading…

One Haiku

It’s been almost two years. Let’s try this again: One Haiku

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