I spent a little over an hour in the Beijing airport, where I had just enough time to visit the washroom (one sign inside the stall said ‘Please lock for your convenience’, which made me laugh) and the duty free shop, where I bought some Chinese pineapple biscuits for Royce, my friend, host, and gracious tour guide, who would be meeting me at the next airport. I bought them specifically because once in conversation I mentioned to him that I had had this obsession with pineapples (don’t ask) when I was in high school, and he told me that there existed (I kid you not) a pineapple theme park in Japan. I told him it was cruel to tease me with such fantastic tales, but then he showed me photographs he had taken on a previous visit (oh, the pineapple greeting gate…!), and even offered to take me there himself, and, at that moment, I think I might have swooned.
I’m visiting Japan for 9 days to visit a friend of mine who is studying Noh Theatre there for a month. We’ll be staying in Tokyo and also visiting an island in Okinawa. Here are some of my stories…
I boarded the first plane and walked straight to the back toward my selected window seat. There was a middle-aged Chinese man sitting in the spot next to mine, and when he saw me he smiled and said “I’ve been waiting for you!”
Once I settled myself in, we talked about our respective flights, and he told me he was traveling from New York, where he has lived for the past 30 years, to China for business. Why was he traveling through London, rather than crossing over the Pacific?
He had originally booked a flight to London for a holiday with his wife and two boys, but then he suddenly had to go to China for a business trip, which cut into the holiday. When he tried to alter the flight, the airline told him it would cost over $2000 US, so he found it cheaper to simply book a round-trip flight from London to China and back again. But this meant, for him, being in air transit for over 24 hours. What fun!
Despite his intense schedule, he seemed well-rested and cheery and we embarked, as strangers sometimes do, into polite topics of conversation such as the history slavery, the legal limits of abortion, same-sex marriage, matriarchal societies, the decline of the family unit, and human rights versus cultural traditions. It was comforting to realise that we shared a number of fundamental values, though we had come to them from very different perspectives and experiences.
I also asked him if he was a spy – since he seemed to do an awful lot of traveling for work – and he told me, no, he was an IT consultant. Growing up in communist China, a liberal arts degree wasn’t exactly encouraged, so he pursued the sciences instead. Though, he said, he’d be interested in seeing my show about Sappho when it plays in New York in a couple of months (…shameless plug).
I made the mistake of going out drinking the night before this flight, so I’ll admit I’m not exactly in the best shape to be enjoying a cramped 9 hour journey with a stopover in Beijing, and then another flight to my final destination. But I’m keeping my mind focused on my arrival in Tokyo, on devouring epic quantities of sushi, on exploring markets and temples and fashion districts, on cherry blossom season, on lush islands surrounded by ocean waves and whales, on on on, and and and…
“In the end I distilled everything to one wonderfully simple principle: win or die” (Dangerous Liaisons).
Inspired by the Marquis de Meurteil’s infamous creed, ‘Win or Die: a woman’s odyssey through theatre’ presents some of the sharpest and boldest female characters in dramatic history.
From Shakespeare to Mamet, this showcase observes women who employ sexuality as strategy in an all-consuming game of chess with consequences.
Featuring Kate Milner Evans, Sevda Levent, and Rus Kallan.
Directed by Jessica Ruano.
The Rose, Bankside
56 Park Street, SE1
(near London Bridge Station)
1st to 26th October, 2013
Tuesday to Saturday at 7.30pm
Sunday 13th & 20th at 3.00pm
Featuring: Declan Cooke, Bonny Davis, Tom Hartill, Matthew Howell, Suzanne Marie, Stacy Sobieski, and Andrew Venning
Director : Jessica Ruano
Designer : Ana Ines Jabares
Lighting Designer : Sarah Crocker
Sound Designer : Luca Romagnoli
Props Designer : Esther Hills
Production Manager : Oliver Michell
Stage Manager: Jeryn Daly
Advance tickets: wegottickets.com £12 / £10
The Rose, Bankside presents a new production of As You Like It, by William Shakespeare, directed by Jessica Ruano (jessicaruano.com).
‘men have died from time to time and worms have eaten them, but not for love’
When Rosalind and Orlando are forced to flee the court, they believe they will find sanctuary in the Forest of Arden.
But security is deceiving with the court citizens on constant watch, and their game of love plays out like a battle for survival.
Seeking: several male and female adult actors of all ages, backgrounds, and ethnicities
Auditions: Monday, August 26th, 11am to 5pm at The Rose, Bankside
Rehearsals: September 1st to October 1st (some daytimes and Sundays) near London Bridge
Performances: October 1-26, Tuesday to Saturday evenings 7:30pm & two Sunday matinees 3pm at The Rose, Bankside
Payment: everyone involved in the production receives a share of the profits
To book an audition, please email ruano.jessica[at]gmail.com with your email address and telephone number, preferred audition time, and confirmation that you are available for the aforementioned rehearsal and performance dates.
After three straight days of reading, I’ve finally finished Em Kwissa‘s masterpiece of a novel-memoir. It is a masterpiece, and I don’t use the term lightly. It is by far the most moving piece of literature and one of the best-written contemporary works I have ever encountered.
It is available for download on her website in the ‘Media’ section.
The controversy surrounding the publication of her book (see Lulu.com) is only an added bonus, one that I hope will help her reach a much wider audience in the long run. The book is a glorious triumph in itself, and frankly, needs no further context.